By Vijeyaranjan
“Gentlewoman,” the directorial debut of Joshua Sethuraman, is a Tamil film that delves into the intricacies of gender roles, societal expectations, and personal autonomy. Featuring compelling performances by Lijomol Jose, Losliya Mariyanesan, and Hari Krishnan, the movie challenges traditional narratives surrounding women’s ‘gentleness’ and societal perceptions.
The narrative centers on Poorni (Lijomol Jose), who is married to Aravind (Hari Krishnan). Their seemingly harmonious life takes a turn when Poorni uncovers unsettling truths about Aravind, leading to his sudden disappearance. The plot thickens with the introduction of Anna (Losliya Mariyanesan), a painter searching for Aravind. The film meticulously examines both overt and subtle manifestations of male dominance, highlighting how women often downplay their potential to conform to societal norms.
One of the film’s strengths lies in its exploration of ethical ambiguity. It presents characters in morally complex situations, prompting viewers to reflect on societal biases and the choices individuals make within constrained frameworks. The screenplay is rich with irony and juxtaposition, particularly in showcasing how women suppress their abilities to appear subservient, while men feign incompetence to maintain control.
The performances are noteworthy. Lijomol Jose delivers a nuanced portrayal of Poorni, capturing her internal struggles and resilience. Losliya Mariyanesan’s depiction of Anna adds depth to the narrative, offering a contrasting perspective on autonomy and societal judgment. Hari Krishnan effectively embodies Aravind, portraying the complexities of a character who oscillates between progressive ideals and patriarchal tendencies.
Technically, the film employs creative choices that enhance its thematic depth. The use of warm lighting within the confined setting of a house creates an intimate atmosphere, reflecting the characters’ emotional states. Innovative framing techniques, such as depicting a scene through a television screen’s reflection, add layers to the storytelling. These aesthetic decisions contribute to the film’s mood, although their coherence varies.
However, the film is not without its flaws. Some scenes, particularly those involving supporting characters like the police officers, lack the performance quality needed to fully engage the audience. Additionally, while the film aims to balance social commentary with thrilling elements, certain narrative threads could have been more cohesively developed to maintain tension and focus.
In conclusion, “Gentlewoman” is a thought-provoking film that challenges traditional gender norms and societal expectations. Through its compelling performances and sharp storytelling, it encourages viewers to reflect on the constructs of gentleness and autonomy. Despite minor shortcomings, the film succeeds in sparking conversations about the roles women choose or are compelled to play in society, making it a significant addition to contemporary Tamil cinema